This work by artist David Ellis combines the body of a double bass with modern day audio hardware and electronics.
SKDubs gold (double bass boombox fiddle)36 x 50 1/2 x 17"
Medium-modified double bass fiddle, spraypaint, casters, oak, plywood, metal, iPod, two tube pre-amps, B and C mids and tweeters, Electro-voice woofers, JVC tweeters, Crown XLS 602 Poweramp, and Behringer equalizer - 2005.
Via
Hulger.org where you can find lots more interesting and arty contemporary designs.
The Double BassAlong with classical music, the double bass has found its place in genres such as the blues, bluegrass, jazz, rock and roll, rockabilly, psychobilly, drum and bass. It has been used widely in pop and rock music on recordings by artists like Kate Bush, Bob Dylan, Peter Gabriel and Frank Zappa. A well known example being the Lou Reed song
"Walk on the Wild Side" where session musician
Herbie Flowers created the distinctive sounding bass hook, by using a mix of old and new sounds. He recorded one part on acoustic upright and then overdubbed a crossing part a major tenth above on electric fretless bass. The song was later recycled by other artists including
A Tribe Called Quest who used a sample of it in "Can I Kick it?" - You can just about hear it on the intro of the video remix below. For more examples of recordings using double bass, see this thread from the
TalkBass forums discussing
Examples of Upright in Pop Music.
PerceptionsDavid Ellis's work evokes some interesting perceptions through the marriage of old and new world technologies.
At first site the juxtaposition creates a slight element of
cognitive dissonance, a clash between the older acoustic culture and the contemporary electronic culture. However, the sense of discomfort is lessened by the idea the two cultures are not completely contradictory. The fundamental function of sound reproduction, for the purpose of music and entertainment, remains intact. In fact the instrument has merely been rewired, the strings replaced by electric wires.
Originally the source of sound was generated by a human drive mechanism. The machinery of bow and fingers controlled the perceived pitch, loudness and tone production. These have been replaced by electronic counterparts. The output of the iPod is the sound source, the amplifier and equalizer control the loudness and tone respectively.
The acoustically resonating wooden body becomes the architecture for the electro-magnetic speakers and electronics which are embedded in the belly. The electronics span a progression of successive developments where each stage builds on the past, from mechanical, to electronic valve, transistor and finally digital micro-chip.
There's much to contemplate in this piece that embraces change and cultural heritage: the new functionality, shape, symmetry, the handle ontop, the missing head/neck, the fact that it's no longer 'upright'.
Detritus.net is a web site devoted to recycled culture. Budding
detrivores wishing to make new creative works out of old ones will find it a good source of inspiration.
ResourcesWikipedia: Conceptual art
